BUTTON, BUTTON, WHO HAS MY BUTTON? A button is a small roundish object that we all take for granted. It has been around for generations, comes in all kinds of materials from the most luxurious jeweled to beautiful shell and pearl to the most mundane and utilitarian. Buttons made from seashell were used in the [...]

Keiko Hara’s art carries a certain integrity that extends in many directions and holds many points of reference. Given her considerable breadth and technical expertise, the individual works reveal a remarkable fluidity. Regardless of the medium -whether painting, sculpture, collage, printmaking, or her original mixed media installations-the complex layering of her images is often possessed [...]

Lluis Barba’s epic, digitally manipulated images juxtapose iconic paintings from art history with photographs of modern tourists, celebrities, spectators of varied economic background, and appropriated advertising imagery. They critique the collusion between art, wealth, and glamor, particularly in the context of museum and gallery spaces. “I get elements of a reality out of context in [...]

Born in Guatemala in 1957, he lives and works in Cordoba, Argentina. Among his personal exhibits we can mention: those displaying his personal works are: The Art Institute of Chicago (USA); The Lannan Foundation, Santa Fe (USA); The Australian Centre for Photography, Australia; Palacio de Bellas Artes, México; The Royal Festival Hall, London; Palazzo Ducale [...]

Patricia studied literature and writing at Goddard College, Vermont. She received a B.F.A. in 1983 at the New York State College of Ceramics at Alfred University, New York and a Master of Fine Arts at the University of North Carolina at Chapel Hill in 1986. From 1976-1981 Patricia taught art at The Putney School, Vermont [...]

Conceptual artist Scott Ashley is known for using everyday objects and familiar cultural constructs to create provocative, emotionally charged multi-media works that challenge our personal and societal perceptions. Scott Ashley transforms our learned archetypes and paradigms into “extreme versions of themselves”. From hand knitted garden hoses and neon shovels to fumigating doll houses and cursed [...]